This unique combination of words and pictures also takes communication to the very highest level. For example, it鈥檚 one thing to introduce a powerful new comic book character through dialogue. However, you can make that dialogue much more impactful by demonstrating their immense power through stunning visuals and vibrant colors in an intense battle.

Comic book illustrators do an amazing job of mixing old art forms into modern design. Look through comic books and graphic novels and you鈥檒l see influences of realism, renaissance, surrealism and minimalism as well as current graphic design trends. The writers and artists are experts at blending the words and visuals together for a compelling reading experience.

The First Challenge: Taking RGB to CMYK

But unless you understand the nuances of converting RGB design files to CMYK print files, the results can be disappointing. While it鈥檚 not rocket science, the process definitely goes beyond pushing the 鈥渃onvert file鈥� command to achieve the best results.

Just for the sake of clarity, let鈥檚 do a short review of RGB (red, green, blue) and CMYK (cyan, magenta, yellow, black) color models. RGB is how your computer (or any digital device) displays color. It is additive in nature, meaning that it displays color by adding light. When you mix all three colors together when working in RGB, you get white.

The color gamut of neither model can display all the colors visible to the naked eye. But the RGB gamut is larger than the CMYK gamut. RGB can display 16.7 million possible color values vs. about 16 thousand possibilities in CMYK.

How CMYK Differs From RGB 

CMYK is the color model used in printing. It involves a subtractive process that displays color by absorbing light. In other words, the ink displays the color. All four CMYK colors mixed together at different percentages can produce a rich black.

Notably, CMYK is unable to display neon colors. That鈥檚 because neon colors have fluorescence, enabling them to reflect more visible light than other colors. CMYK colors can only be as bright as the underlying substrate, which is usually paper.

So, you can see the obvious challenges resulting from the size differences of the two color gamuts and the way that they each display color. Designers who work in RGB and then make a file conversion to CMYK will likely find some of their colors dull and muted.

How to Get the Most Out of CMYK

One recommendation is to create your files in CMYK. This allows you to see more accurately what you鈥檙e going to get in print. It also allows you to tweak the color before sending it for processing. Thus, you maintain more control over the final appearance of your comic book or graphic novel artwork.

Some other file conversion tips include:

• Convert RGB to the correct colorspace, either grayscale, CMYK or spot color.
• For spot color being printed in CMYK, convert to CMYK in your native file before releasing or converting to a PDF file.  And remember that no Pantone color converts to CMYK with absolute accuracy. Be sure to ask for a swatch.

If you want to ensure the colors will reproduce correctly, request a color-accurate proof of a few pages or the entire book from your printer.

Get Familiar With ICC Profiles

There鈥檚 no chance of reproducing accurate color if your scanner, computer or monitor are inaccurate. This is where (ICC) profiles come into play. ICC profiles contain a set of data that characterizes a color input or output device. In short, each device in your design workflow that inputs or displays color can be assigned a profile. These profiles define the color gamut that the devices are capable of displaying.

The first step is to determine the color gamut of each of your devices. If they are different (say your computer is RGB and your monitor is DCI-P3) then you need to import the differing  ICC profile into your computer operating system to ensure accurate color display.

Likewise, graphics and digital images have their individual profiles. They will only display accurately if you match the ICC image profile with the monitor and import the corresponding ICC profile into your computer鈥檚 operating system. 

If all this sounds a bit daunting, there are software programs available that simplify the process.

Seek a Printer With G7^庐 Certification

The challenges don鈥檛 stop once you optimize a file for accurate color reproduction. Different printing methods, such as digital, inkjet and offset, all reproduce color differently. developed the G7^庐 specification that 鈥渄efines a universal appearance for black-and-white imagery (or a printed grayscale), as well as how to calibrate and control any printing or proofing system to achieve that appearance.鈥�

Controlling grays makes color images also look as pleasing to the eye as possible without ICC profiles. But for even greater accuracy on color-critical work, G7 can be combined with ICC color management.

G7 also brings some RGB benefits to CMYK. RGB files from one digital display usually look reasonably accurate on another, say your computer to your smartphone. The reason is that all video display devices produce the color gray from equal RGB values as well as typically sharing a common 2.2 gamma. Thus, black-and-white images appear very similar wherever displayed.

G7 provides a universal standard for printing gray in CMYK. Previously, lightness and contrast could vary significantly across different printing technologies and even from press to press within the same technology.

G7 now provides a simple calibration method for any printing system to match its definition of gray balance and neutral tonality. In short, if you printed the first run of your graphic novel on a digital press and later printed a longer run offset, G7 would enable each run to color match closely to one another. G7 is all about getting the same predictable color output every time, whether your comic book or graphic novel is running on a digital press or an offset press 鈥� regardless of the substrate.

Pay Attention to Press and Paper

The printing technology and the paper you choose will also impact your file preparation and color reproduction. Getting the best results requires using the correct line screen for both the print technology and the paper.

The glossier the paper, the finer linescreen you can use. Less gloss (or no coating at all), means more absorption of the ink and a coarser screen. Check with your print provider, but these are generally acceptable line screen ranges (dots per inch or DPI) for the main press technologies:

• 100-133 DPI 鈥� coldest/non-heatset web
• 133-175 DPI 鈥� heatset web
• 120-200  DPI 鈥� sheetfed
• Line screens don鈥檛 apply to digital printing

In preparing files, the best approach is to use a DPI that is 1.5-2 times the actual linescreen used when printing. Set your raster and transparency settings to high resolution and be certain to arrange type in the uppermost level. A good default standard is 300-350 dpi.

Address Ink Issues

One other thing you want to pay attention to is ink density, which is the thickness of the ink layer on the paper. The combination of all the process colors (cyan, yellow, magenta and black) at full strength would be 400% ink coverage, which is not necessary to achieve a rich black color. Keep in mind that some print technologies can reproduce more density than others. Different papers can also handle more density than others.

Again, you should always check with your print provider, but here are general ink density guidelines: sheetfed (300%, 270% if UV coating); coldest/non-heatset web (260% for offset paper, 245% for groundwood paper, 235% for newsprint); heatset web (310%) and digital (320%).

And as a final tip, be aware of the effect of varnish on ink. High gloss varnish deepens hues, creating a rich, even surface that reflects light. Meanwhile, dull varnish softens ink, moderating its intensity for a subtler effect.

Call the Experts at 澳门六合彩论坛

Our clients include some of the industry鈥檚 most recognizable names, from Dungeons & Dragons and Minecraft to art books for Larry Elmore, the noted fantasy illustrator whose work appears in Dungeons & Dragons, Dragonlance and his own comic strip series, SnarfQuest.

澳门六合彩论坛 constantly invests in the equipment, services and solutions to meet the demands of this dynamic publishing segment. Our ability to handle quick turnarounds with ease is supported by advanced premedia capabilities (including G7 certification), multiple print platforms, a robust bindery and deep mailing and distribution know-how.

And we can help you reach your audience where they are. While print forms the core of your distribution strategy, you may also incorporate digital strategies to expand your reach, enhance engagement or address readers鈥� preferences. We can provide you with digital publishing apps, website solutions and other content delivery options to maximize your reader connections.

Getting in touch is simple. Just submit your information and a friendly 澳门六合彩论坛 associate will be in touch within 24 hours.

The post Nail Your Comic Book Artwork With Precision Color Printing appeared first on 澳门六合彩论坛.

How It All Started

Maddox and Archer share a common trait: their humble beginnings in the print industry. Both men started in print right out of high school in an entry-level role. 鈥淎 friend of mine suggested working at the Ovid Bell Press; I was hired on and started right around my 18th birthday,鈥� said Maddox. 鈥淭hen, I was a Sheetfed Operator for about a year. I went from there to Web Operator, and after that, I took the foreman job on nights for about 12 years. After that, I worked as the Bindery Manager, then Night Shift Lead in the press room before I got the management spot about two and a half years ago.鈥�

While Maddox has worked in print for around 25 years, Archer boasts a four-decade career in print. 鈥淚t’s scary to think this is actually my 41st year in the printing industry,鈥� said Archer. 鈥淚 started out of high school in 1983 as a utility in the press room at RR Donnelley, sweeping the floors and dumping trash, working my way up to Press Operator there. I was there for 11 years.鈥� He then worked foreman, supervisor and management roles at several printing companies in plants across the country, including Denver, Colorado; Clarksville, Tennessee; Jefferson City, Missouri; and Roanoke, Virginia, before taking the manager position in Saint Joseph in 2017.

How It鈥檚 Changed

It鈥檚 no secret that thanks to technology, the world has changed drastically in the last few decades, and the print industry is no exception. 鈥淲hen I started in the trade, pre-press was still stripping film and burning plates, now that鈥檚 all computer to plate,鈥� said Maddox. 鈥淵ou had to key ink by hand, now it鈥檚 all automated. The industry has changed a lot in the last few decades.鈥�

Archer adds, 鈥淲hen I first got into the industry, color controls and register systems were all done manually. Now there鈥檚 newer design equipment, gapless technology on our blankets, computer to plate 鈥� it鈥檚 all digital now. It鈥檚 reduced errors and increased productivity. In the bindery, with our new binder, everything is set up automatically. We鈥檝e seen increased uptime with the design of new pockets and increased speeds for that same reason.鈥�

The Day-to-Day

Maddox鈥檚 typical day as Press Manager looks a little different at the moment, thanks to 澳门六合彩论坛 鈥� Fulton鈥檚 current push to install newer equipment. 鈥淩ight now, I鈥檓 mostly dealing with equipment installations, searching for parts for this new equipment or trying to make new contacts with vendors,鈥� said Maddox. 鈥淥verall, I鈥檓 trying to get my department to give the next department the best product we can. It can be challenging because a lot of this stuff is hard to come by. But looking toward the end of the tunnel, I know everything is going to be great.鈥�

Up in Michigan, Archer went through a similar challenge when he first started at 澳门六合彩论坛 鈥� Saint Joseph seven years ago. 鈥淲hen I first got here, the plant needed a lot of change. We had older equipment that needed to be maintained and replaced. Getting a job in and out the door required a different effort and focus than we have today,鈥� said Archer. Thankfully, that light at the end of the tunnel arrived. 鈥淭oday, we’ve got processes in place. I might have spent more time with quality issues in the past. We don’t have many of those anymore. My typical day today is, I catch up on emails and do a standard meeting in the morning to find out what we’ve done in the last 24 hours and what we鈥檙e going to do in the next 24 hours.鈥�

Their Love of Print

Archer cites the variety his job provides as a reason he鈥檚 stayed in the print industry for four decades. 鈥淥ne of the things I always wanted to do was come in every single day and it be different. It鈥檚 never the same, there鈥檚 always something different; you鈥檙e making something different. Different content, different paper, different challenges. It鈥檚 constantly challenging you. That鈥檚 something I enjoy. The next problem that needs to be solved.鈥�

Maddox noted the combination of skills needed to be successful as a reason he loves working in print. 鈥淭here鈥檚 a lot of hands-on work, and a lot of technology is involved. It鈥檚 a broad spectrum of things someone needs to know.鈥�

Tips for Magazine Publishers

Over the years, Phil Archer has worked with countless magazine publishers, whether they鈥檙e first-timers or veterans of the industry. His advice? Understand the product you鈥檙e trying to create. 鈥淭ake advantage of our onboarding process to understand how your design is going to look on press. Are you using the right paper? For example, if you have photographs, you don鈥檛 want matte stock, you want nice gloss,鈥� said Archer.

Archer continued to emphasize the importance of considering what the item will be used for. “Is this a coffee table book, or something that people are only going to read once? If it’s a coffee table book, consider perfect bound or case bound. Saddle stitch is a great way to save money, but it doesn’t have the same longevity.” Having knowledgeable printers in your corner to help you with these decisions can be a game changer.

What You Should Know About the Print Industry

As a four-decade veteran of the print industry, Archer wants the world to understand that print is thriving. 鈥淚t鈥檚 over a 70 billion dollar industry. It鈥檚 a big industry, but also close-knit,鈥� said Archer. 鈥淚t鈥檚 all over the world. It鈥檚 kind of like being a doctor; you can go all over the world and have a job in just about any city, anywhere you want to go there鈥檚 work to be done.鈥�

Finally, Archer stressed the benefits of a career in printing. 鈥淭here鈥檚 opportunity for advancement at all levels. If you don鈥檛 have a degree, you can still make it to plant manager. You can learn to be a supervisor. You can keep learning new roles. There are always opportunities for advancement and increases in pay.鈥� Archer added, 鈥淔or someone coming out of high school and college is not an option for them, the printing industry is alive and well. It鈥檚 gonna be there for a long time. To come in and learn a trade and have a career with the opportunity for advancement is a fantastic way to raise your family. We can help with that.鈥�

Consider a Career in Print With 澳门六合彩论坛

If you鈥檙e interested in starting or continuing your career in print, 澳门六合彩论坛 is a great place to learn the ins and outs of the trade. 澳门六合彩论坛 has state of the art printing facilities in Saint Joseph, Michigan; Ripon, Wisconsin; and Fulton, Brookfield and Marceline, Missouri. Our company culture emphasizes trust, teamwork and integrity, and we鈥檙e passionate about hiring local talent from the communities that house our printing facilities. and launch your career in print today!

The post From Press to Pages: An Interview With 澳门六合彩论坛鈥檚 Master Magazine Printers appeared first on 澳门六合彩论坛.